Mary Ann Bevan, a remarkable English woman, became widely known during the early 20th century due to her work in sideshows and circuses, a path she was forced to take after being diagnosed with acromegaly.
Often referred to as the “Ugliest Woman in the World,” she performed at various events to support her family, facing immense challenges with resilience and determination.
The Early Life of Mary Ann Bevan
Born Mary Ann Webster on December 20, 1874, on the outskirts of London, she grew up in a large family. Like many young women of her time, she lived an ordinary life and later trained as a nurse in 1894. In 1903, she married Thomas Bevan, a farmer from Kent, and the couple started a family, welcoming two sons and two daughters.
Life took a tragic turn in 1914 when Thomas passed away unexpectedly. Left to raise her four children alone, Mary faced both financial struggles and a devastating health condition. Shortly after her husband’s death, she began to experience symptoms of acromegaly, a disorder caused by excessive growth hormone production that leads to significant physical changes.
Facing the Effects of Acromegaly
Acromegaly brought profound alterations to Mary Ann’s appearance, affecting her hands, feet, jaw, and forehead. In the early 20th century, treatments for the condition were unavailable, leaving her to deal with its effects unaided. Alongside physical discomfort, the condition also made it difficult for her to find stable work, forcing her to take on various odd jobs to provide for her children.
Mary’s unique appearance caught the attention of a farmer she had once worked for, who reportedly suggested she enter an “ugly woman” competition. Taking this as an opportunity rather than an insult, she participated and won, defeating 250 other contestants. This victory opened the door for her to join the sideshow industry, where she could earn a stable income.
A Career in Sideshows and Circuses
In 1920, Mary Ann responded to an advertisement in a London newspaper seeking the “ugliest woman” for a performance role, offering good pay and a long-term engagement. The ad had been placed by agents for Barnum & Bailey Circus, who found her appearance to be striking yet not unpleasant. Her submission led to an invitation to perform in sideshows, starting with Coney Island’s Dreamland amusement park, a major hub for such performances.
At Dreamland, she became a featured act alongside other well-known sideshow personalities, such as Lionel the Lion-Faced Man and Jean Carroll the Tattooed Lady. Visitors came to see her 5-foot-7 stature, size 25 hands, and size 11 feet. Despite the degrading treatment, Mary endured it with strength, selling postcards of herself to earn additional income for her family.
By the 1930s, Mary Ann had become a prominent performer with the Ringling Bros. and Barnum & Bailey Circus. Over her career, she earned enough to secure her children’s future, amassing a fortune equivalent to $1.6 million in today’s value.
Later Years and Legacy
Mary Ann continued to perform until her death on December 26, 1933, at the age of 59. She passed away in New York but was laid to rest in England at Brockley and Ladywell Cemetery.
Her story, though largely forgotten over the years, resurfaced in the early 2000s when her image was used mockingly on a greeting card by Hallmark. Public backlash led to the card’s discontinuation, highlighting the enduring impact of her story and the importance of respecting her legacy.
Despite the challenges she faced, Mary Ann Bevan’s courage and resilience remain an inspiration. She turned adversity into a means of providing for her family, proving that strength can emerge in the face of great hardship.
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